 
 
 
	 
		*1979 in Singkawang, 
    West-Kalimantan, Borneo. Sie brachte sich das literarische Schreiben autodidaktisch selbst bei mit Hilfe von Büchern und dem Internet.  
  
Ihre Gedichte, Essays und Artikel wurden in verschiedenen Medien und Literaturmagazinen veröffentlicht. Der Gedichtband A Man Bathing and Other Poems, wurde 2015 dreisprachig in Englisch, Deutsch und Indonesisch herausgegeben (Lontar Foundation).
Ihre erste Gedichtauswahl wurde vom Magazin Tempo zum besten Poetry Book 2011 gewählt.
*1979 in Singkawang, Western Kalimantan. She learned to write as an autodidact through the web and readings.
Her poems, essays and articles were published in many mass media, literary magazines and journals. A Man Bathing and Other Poems, a trilingual work in English, German, and Indonesian, was published by Lontar Foundation in 2015.
Her first collection of poems has been selected as "2011 Best Poetry Book" by Tempo magazine.
KESALAHAN POHON PEPAYA
Sebatang pohon pepaya tumbuh di pojok
    Kuburan Cina. Berbuah ranum, matang kulitnya,
    kuning terang kehijauan--seperti pipi.
     
    Akarnya menembus tanah, memeluk mimpi
    dari mayat yang menyimpan bahagia. Hingga
    lelaki bermata jalang yang tidur di bantal nisan
    menatapnya penuh
    gairah.
     
    Kuburan ini berdinding megah.
    Temboknya kokoh, lantai halus dijilat purnama. Ada
    patung Dewa Penjaga Kubur yang setia. Ada harum dupa
    dan bunga jika tiba ziarah keluarga. Sebatang pepaya
    tumbuh, tempat angin berlabuh. Datanglah ke mari.
    Di sini hidup terlalu mewah, untuk lelaki dan perempuan
    yang rindu
    rumah.
     
    Ada perempuan yang rindu rumah.
    Ada lelaki yang rindu rumah. Jika perempuan
    dan lelaki memilih nisan untuk berbagi, maka birahi
    bisa dibeli demi harga diri.
     
    Kuburan adalah
    tempat berbagi tiada rugi. Sebatang pepaya tumbuh,
    berbuah ranum kuning terang kehijauan--seperti pipi.
    Maka di mata lelaki, ia menelusup bagai mimpi:
  “Dulu, di kota kami terjadi prahara. Segala toko dan makanan
    boleh dibawa tanpa harus membeli. Ada lautan api,
    yang mengusir pergi gadis sipit kuning di pipi.
    Ai, rasanya seperti mimpi. Kapan lagi bisa bertemu
    bencana seperti ini? Makanan tak perlu beli, segala barang,
    bahkan birahi. Kutemukan gadis tersedu sendiri. Pahanya
    putih enak
    sekali.”
     
    Tidur sajalah di sini, Abang,
    bersama kami. Cukup telentang di bawah langit, rasanya
    pasti nikmat berbeda. Jika dari prahara tak dapat birahi,
    maka setubuh saja dengan kami, di kuburan mereka
    yang mati lantaran bencana. Rasanya
    pasti sama.
     
    Bayangkan saja pipinya
    Bayangkan saja kakinya
    Bayangkan saja ia, sebelum mati
     
    Sebatang pohon pepaya tumbuh. Buah ranum--kuning kehijauan
    seperti pipi. Akarnya menembus mimpi dari mayat
    bahagia. Setiap gerimis tiba,
    air meresap ke lubang tulang, ke lunak daging mati, yang kelak
    menjelma tanah. Menjadi sari mayat yang dihisap akar. Menjelma subur,
    mencipta gembur. Tumbuhlah pohon! Tinggilah batang! Suburlah daun!
    Jika mayat rindu matahari, lewat daun
    kita buka jendela: melihat langit masih terbentang.
    Jika mayat rindu dingin, kita rasakan angin
    telah memiuh dan berlabuh.
     
    Sejak itu, tak boleh ada kesedihan
    Sejak itu, tak boleh ada ingatan
     
    Tapi pohon pepaya itu berbuah. Seorang lelaki jalang
    memandang pipi pada kulit matangnya yang ranum.
    Ia mengelus batang, memanjat pohon sambil bernyanyi.
     
    Alangkah manis pepaya yang tumbuh
    dari rasa mayat bahagia. Perempuan-perempuan memuji. Lelaki
    jalang berteriak girang, “Betapa manis ini pepaya, semanis
    gadis Cina yang disenggama dalam bencana.”
     
    Dari jendela daun, cakrawala tetap terbuka. Langit begitu luas.
    Tak pernah tahu di mana kelak ia akan
    bertepi.
THE FAULT OF A PAPAYA TREE
A papaya tree grows at a corner
    of a Chinese graveyard. Its fruits are ripe,
    the fruit skin is greenish yellow – like a dream.
Its roots penetrate the earth, like a dream 
    of a dead body that cherishes happiness, 
    until a man with a wild gaze whose head is on the gravestone
    stares at her
    passionately.
The graveyard’s walls are refined.
    They are strong, shining under the full moon.
    There is a statue of God, the faithful caretaker. Smells of incense
    and flowers emerge when pilgrims come. A papaya tree
    grows and the wind freely rests there. Please come over.
    Here life is so luxurious for man and woman
    who are badly in need of
    home.
There is a woman who needs a home.
    There is a man who needs a home. If they
    decide to share a gravestone, passion
    can be acquired for the sake of self respect.
Grave is a place
    where we can share without loosing anything.
    A papaya tree grows, its fruits are bright, yellowish green – like cheeks.
    It slips into a man’s eyes like a dream;
  “Once upon a time there was calamity in our city. Everything
    were taken away free from the stores. There was a great fire
    that expelled slanting-eyed girls with yellow cheek.
    Wow, it’s like a dream. Will this disaster
    happen again? Food and everything else were free,
    even more than that, lust was free. I found a lonely girl cried.
    Her thigh was white
    and very tasty.”
Please sleep here, brother,
    with us. Just lay your body under the sky,
    you’ll feel good, it’s different. If you didn’t have a chance
    to have sex during the disaster,
    let’s make love in the graveyard
    of those killed then. The taste
    is certainly the same.
Just imagine her cheek
    Just imagine her legs
    Just imagine her, before she died.
A papaya tree grows. Its fruits are bright, yellowish green
    like cheek. Its roots penetrate the dream of the happy
    dead body. When drizzle comes
    water oozes through the bones, through the
    decaying flesh that will soon 
    be one with soil. Becomes the essence. Creates fertility
    and luxuriance. And the trees grow! Grow taller! The leaves are green!
    When the dead body wants to see the sun, push aside
    the leaves: the sky still spreads out.
    When the dead body longs for cool air, we feel the breeze
    that comes by to take a rest.
Henceforth, no sadness is allowed.
    Henceforth, no memory is allowed.
But the papaya tree bears fruits. A wild man
    stares at the ripeness of the papaya fruit skin.
    He caresses the tree, climbs it and sings.
How sweet is the papaya
    with the taste of the happy dead body. The women praise.
    The wild man shouts happily, “How sweet is this papaya,
    as sweet as a Chinese girl raped during the calamity.”
Through the leaves we see the horizon, it’s still there. The sky is vast.
    It never knows whether it ever comes to
    an end. 
Singkawang, 27 October 2010, übersetzt von Sapardi Djoko Damono